{"id":5072,"date":"2026-07-02T10:28:47","date_gmt":"2026-07-02T08:28:47","guid":{"rendered":"https:\/\/k6gestioncultural.com\/?p=5072"},"modified":"2026-07-02T10:30:45","modified_gmt":"2026-07-02T08:30:45","slug":"fronteras","status":"publish","type":"post","link":"https:\/\/k6gestioncultural.com\/eu\/fronteras\/","title":{"rendered":"Fronteras"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns are-vertically-aligned-bottom is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Fronteras antzezlanak Sebasti\u00e1nen istorioa kontatzen du. Unibertsitatetik atera berri den kazetari gazte eta idealista bat da, eta garai hartan ia ezezaguna zen Osama Bin Ladenen lehenengo argazkirik adierazgarriena ateratzeko zoria izan zuen. Horri esker, irailaren 11ko atentatuen ondoren ospea lortzen du. Aldi berean, Siriako Homs hirian, Bashar Al Assaden erregimenaren eskuetan aita galdu duen graffiti-egile nerabe anonimo bat bere herrialdea uztera behartuta egongo da, Europara iristeko ahalegin etsitu batean.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bi artista gazte hauen bizitzak, elkarren paraleloan baina bi amildegik bananduta, pixkanaka gurutzatzen joango dira distantzian eta historian zehar, eta azkenean modu lazgarrian egingo dute topo ustekabeko leku batean: Mediterraneo itsasoan.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antzezlan honek erakusten digu kulturak kontzientziak astintzeko ahalmena duela. Eneko Sagardoyren eta Carolina Yusteren interpretazio bikainak maisutasunez murgiltzen gaituzte gatazka armatuen, mugen, migrazioen eta pribilegioen inguruko kontakizun batean, ikuslea axolagabe uzten ez duen kontakizun batean. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"info-project\"><\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Antzezlana<\/p>\n","protected":false},"author":6,"featured_media":5070,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[84],"tags":[],"class_list":["post-5072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gure-radarrean-eu"],"acf":[],"_links":{"self":[{"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/posts\/5072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/comments?post=5072"}],"version-history":[{"count":2,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/posts\/5072\/revisions"}],"predecessor-version":[{"id":5204,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/posts\/5072\/revisions\/5204"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/media\/5070"}],"wp:attachment":[{"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/media?parent=5072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/categories?post=5072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/k6gestioncultural.com\/eu\/wp-json\/wp\/v2\/tags?post=5072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}